Hi! My name is Sledger and I am a founder of mastering service for labels, starts in 2015. We are accepting over 100 releases per year. It means, 8 years of everyday hardworking - is almost 800 releases (more than 5000 tracks) with our mastering in different styles: from Jazz to Hard techno.
For labels and distributors we have the most flexible price system with a several ways of cooperation: Regular - You are uploading your order, we master it till 1 to 3 days, transfer to you with invoice and you can pay after that your order). Second way is Monthly - you are choosing your release rate per month and pay 1 time for a whole month. Check price.
We are accepting over 100 releases per year. It means, 8 years of everyday hardworking - is almost 800 releases (more than 5000 tracks) with our mastering in different styles: from Jazz to Hard techno. So, every day Beatport Top contains 1-3 releases with our mastering.
Of course, we can make a free audio test with your track.
And if seriously, there are a lot of reasons that the musician should not do a mastering of his track itself. The most important of these reasons - the endless love for the track (for the musicians his work seems perfect, complete and does not need anything anymore). But it is not so. Also, there is a dangerous moment when mixing tracks reaches the "point of no return" - it happens every day: the ears of a producer ears are tired, "blurry" and he lost the hearing of elementary mistakes in his mix.
Another very important problem is that the producer is not fully aware of the importance of high-quality mixing and mastering, and one of the main concepts of mastering is the so-called "universal sound", that it allows you to make a sound as much as possible the same on all types of audio devices, whether it is a mono speaker of a mobile phone, or a massive and powerful sound systems in a huge clubs. There are also a few reasons (lack of knowledge, inability, lack of experience, lack of time), and so on. Therefore, we recommend that you entrust mastering to us. Just want to draw your attention to the fact that at the end of work you may be asked to release you track at one of our digital labels. Working time - is about 1-2 business days.
If you need to fix a little more serious problems with not all instruments (1, 2 or 3) in track you can order a procedure called Stem-Mastering. It is similar process but with groups of instruments of your track (not with entire track). Often, we prefer to do stem-mastering instead of the mixing, since this type of work has undeniable advantages: working time (less than with mixing) without sacrificing quality and the best possible saving picture of the author's ideas in track. Also, we are ready to make al least 1 free revision of your mix with suggestions for your satisfaction (if needed). Working time - is about 2-3 business days.
And if You do not have any idea on how to place sounds in the track properly - you need to complete the mixing process. This ensures a higher quality, but takes longer and costs more. Usually, after mixing, we will show you the result already with mastering. Working time - is about 3-4 business days.
Click on service block below to open checklist (file requirements) for source files.
More powerful process with groups of instruments (not with each instrument). Ordinary it includes instrument groups mixing and mastering all track after mixing of this groups. Advantages: less working time and the best possible saving picture of the author's mix.
Working time - is about 2-3 business days.
If you do not have any idea on how to place sounds in the track properly - you need the mixing.
This process is more important in the audio production and requires more attention and time.
Usually, after mixing, we will show you the result already with mastering.
Working time - is about 3-4 business days.
Before sending, please, make sure your files meet the requirements below.
It is more preferable and flexible sound standart. Please, do not send the Wav-file, renamed from mp3 or converted to IMA DPCM from compressed audio or else.
It is very good that your output signal will be between -4 and -6 db on peaks and have the uncompressed RMS approximately from -13 to -11 db.
It is possible to leave a "soft" limiting without agressive parameters.
A link to download archive you must send us by e-mail sledgermastering [at] gmail [dot] com with subject “Artist name – mastering” or upload your track on our special page. Please, note in your message "Track BPM is ...".
Before sending, please, make sure all Instrument tracks must be groupped like that:
It will be nice if you include in this archive YOUR mixed version.
Before sending, please, make sure your files meet the requirements below:
It is allowed grouping instruments in 3-4 group tracks, but the mixdown will be the best if every frequency group instruments will be exported in a separate file each. Filenames must be intuitive (for example, channel track with Basses must have a name "01.Bass.wav").
You can leave automation procedures only. Remember: sometimes the VSTi-instruments are includes Echo / Reverb, built in the patch or preset of bank. You can leave the "soft" limiter without volume correction, Sidechain, and the effects of the sound without which the sound loses its original value (for example, includes a plugin type like a Glitch, Sqeeze, Distortion and etc.). Please note that this kind of tracks should be marked in the filename (for example, "Guitar+sqeeze.wav").
Less signal is always better.
It is possible to leave a "soft" limiter without agressive parameters.
If you want, you could send to us a "reference track" - the track of another author, the sound of which is the best for you. It can be 2 or 3 tracks.
A link to download archive you can send us by e-mail sledgermastering [at] gmail [dot] com with subject “Artist name – STEM” or upload your track thru the website. Please, note in your message "Track BPM ...".
It helps us to understand your sound preferences, and may be identify possible problems in the mixdown.
Before sending, please, make sure your files meet the requirements below:
It is allowed grouping instruments in one group track, but the mixdown will be the best if every instrument channel of your project will be exported in a separate file each.
Filenames must be intuitive (for example, channel track with Kick must have a name "01.kick.wav").
You can leave automation procedures only. Note that sometimes the VSTi-instruments are includes Echo / Reverb, built in the patch or preset of bank. Also, You can leave the "soft" limiter without volume correction, Sidechain, and the effects of the sound without which the sound loses its original value (for example, includes a plugin type like a Glitch, Sqeeze, Distortion and etc.). Please note that this kind of tracks should be marked in the filename (for example, "Guitar+sqeeze.wav").
Less signal is always better.
It is possible to leave a "soft" limiter without agressive parameters.
A link to download archive you can send us by e-mail sledgermastering [at] gmail [dot] com with subject “Artist name – mixing” or upload your track thru the our website. Please, note in your message "Track BPM. Also, You could send to us a few "reference tracks" of another author, the sound of which is the best for you.
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Looking for STEM-mastering and mixing prices? contact us.
Unfortunately, not all of our projects we can show you. But, you can find and listen some genre-sorted sounds here. More samples you can find on our soundcloud page.
Almost 50% of our mastered works is the music in style of Techno:
Townsend - Nobody Likes Townzy
Track Result: Released on Dreizehn Schallplatten
BEFORE:
AFTER:
More sounds before and after mastering you can find on our soundcloud playlists:
Notice: When you complete your payment successful - the payment system will redirect you automatically on our thank-you page, and after that you will see the direct link to download your full version (or downloading will starts automatically).
After works, we send you the pdf-invoice with unique private link to bePaid special secured processing system page. You will see your order number, final order cost and (or) result filename(s). If everything is ok - click confirm. Your next step will be on the payment page of the processing system. The payment is completely confidential and safe: the payment page meets all data transfer security requirements (PCI DSS Level 1), all your entered data is completely protected via SSL/TLS protocal, your payment - via 3D Secure code Verified by Visa and MasterCard Secure code (used to authenticate the cardholder [if your bank supports this method]). For the payment you can use Visa, MasterCard, GPay or any other card service.
Important Notice: All prices are listed for reference and automatically calculated according to the National Bank of the Republic of Belarus exchange rates for today. Payments are made in BYN: your funds are debited from your card in your local currency.
Full text of terms and public offer you can download here.
Acception/List of processing personal data.
Techno / Hard Techno label.
Techno / Minimal label & Distribution
Evosonic Radio / Records.
Record Label, Distribution & Music Productions.
Deep & Progressive House label
Film & music shop.
Individual entrepreneur: Nekrasov Dmitriy Yuryevich Reg.No: 192778096 from 29.01.2018 issued by the Minsk City Executive Committee Taxpayer ID: 192778096 Service working: 24/7 mode Orders processing time: business days 8:00AM-11:00PM (GMT+3)
Address: 291-32 Aerodromnaya str., Minsk, Belarus 220028 Account details: BY76 MTBK 3013 0001 0933 0007 6047 in JSC “MTBank”, 10 Tolstogo Street, Minsk, Republic of Belarus Banking license No. 13 as of 24.03.2021
Facebook direct: sledgermastering Soundcloud page: sledgermastering Skype: Start Skype chat Viber: Start Viber chat Phone: (375) 29 112 97 46 Email: sledgermastering@gmail.com